I had never heard of “A Night at the Garden” before this week. Upon watching this seven
minute short, I was baffled as to why. The 2019 Oscar Nominated short, directed by
Marshall Curry, is as chilling as it is informative. I was sucked into the film within seconds.
It weaves together American nationalism, the German Nazi regime, and the socio-political
culture clash of the two. To see these two worlds collide was shocking to me. Somehow, I
knew that America had its own racist and xenophobic past, but intertwined with Nazism?
That was a shock. My first instinct was to contextualize what I was seeing. The whole film
is purely made from unnarrated archival footage, so context is key. To find out the film is
set in the late 30s in New York was a shock. Additionally, to see 20,000 American citizens
engage in behavior so racist, xenophobic, and nationalist, especially for a country they’re
not even in, was baffling to me. I wondered about the kind of Americans portrayed in the
film, those so attached to a country they didn’t even live in. They were moved by a speech
condemning Jews. In New York, of all places, a hub for so many Jewish people; a haven.
Without any context, this film appears almost as German propaganda. We see a young,
Jewish protester mocked, humiliated, and dragged away which is disheartening to say the
least. This film is intended to shake one’s perception of America, and to connect it to the
present. One is reminded of America’s own gruesome racism and just how recent it is.
The protagonist of the short, Fritz Kuhn, mentions a “Jewish controlled press.” What he is
loosely referring to can (falsely) be identified as an oligopoly, where a small amount of
companies run the media. Kuhn’s foundational argument is that the media is solely
controlled by these Jewish run companies and that they spew “fake news” that profits them
only. Essentially, this is thinly veiled racism. This relates also to agenda setting, which is
where the media decides what is and is not important, therefore feeding the general public
what is deemed necessary. If there really is a “Jewish controlled media” then according to
Kuhn, all news is biased, false, and should not be listened to. Instead, German propaganda
is the only reliable source. Margaret Talbot’s “Revisiting the American Nazi Supporters of
‘A Night at the Garden’” links the film’s central topics to the current state of American
affairs. The concept of “fake news,” one dear to Trump is one that is deeply rooted in “A
Night at the Garden.” How is “Jewish run media” so different than the so-called “liberal run
media” from the likes of CNN and MSNBC, according to the Trump administration? The
film’s perverse use of American iconography such as the American flag and images of
George Washington do little to stymie the thin line between nationalism and racism. Kuhn
explicitly says “Our government must be returned to the ideals of the American people who
founded it,” creating a direct link from America to the Nazi party and ideals. Similarly,
Trump has shown his own biases towards support of racist parties and candidates. As Talbot
states, one so-called advantage to the living through the Trump administration is that “it has
compelled a reckoning with aspects of our country’s past that, for a long time, many
Americans preferred not to acknowledge.” Although this is true, it is an almost pessimistic
statement and ideology. Is it, in fact, true that in order to face our past, we must have to had
such an ineffective president? In order to admit, as a country, and as a people, our
problematic past, we must have to enter more trauma into our historic canon? To summarize,
Americans should not finally come face to face with our ugly past because of a horrific
leader. We must always strive to remember fully, no matter what the conditions.
“Fake news” is a newly coined term, that represents years worth of ideology, as exemplified
earlier with Kuhn. Gatekeeping is an old term, and one that rings in many’s ears in today’s
modern buzz. From the fifth estate of modern journalism to Twitter reports of news, how can
one filter and cut through the noise? Gatekeeping is a news practice that has been in use for
tens of years. It is when an agency (a news organization or corporation) decides what
information is important enough to spread and report. When I first heard about gatekeeping,
I was furious. Enraged. Passionate. How can an agency with so much power, and so many
underlying angles be omnipotent enough to decide what the public deserves to know?
How much of a role does the media have in our perception of America and of our news? Do
we view Trump the way we do because of the media we consume? This is on fact very true,
and called selective exposure and perception. Someone who watches CNN will view him
very differently than someone who watches FOX. We are influenced by what we choose to
watch, and our own implicit biases while watching. We must hold the gatekeepers
themselves accountable for what they have done, and be the watchdogs for the information
we truly want to hear about.